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Lady Madonna

(Lennon/McCartney)

status: draft

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Overview

"Lady Madonna" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. In March 1968 it was released as a mono non-album single, backed with "The Inner Light". The song was recorded on 3 and 6 February 1968, before the Beatles left for India, and its boogie-woogie style signalled a more conventional approach to writing and recording for the group following the psychedelic experimentation of the previous two years. [Wikipedia]

Background

Lady Madonna is a song by The Beatles, written by McCartney and led on vocal by Paul McCartney. Boogie-woogie piano, Fats Domino tribute; saxophone quartet. Paul McCartney composed and sang lead on Lady Madonna during early 1968, drawing from the boogie-woogie piano tradition of Fats Domino and early rhythm-and-blues styles. The song's direct sexual imagery and driving rock-and-roll arrangement provided sharp contrast to the experimental psychedelia of Sgt. Pepper and served as the Beatles' return to blues-based material. (nges, Harrison fitted this text to a serene melody his Indian musicians recorded in Bombay Kozinn 1995, p.170)

What's distinctive

One of 65 songs led primarily by Paul. Recorded approximately 2 of 34 into the The White Album (1968) sessions. Carries the unique tag 'fats-domino' — no other song shares it. Take count: 32 (highest take number documented in Lewisohn (1988)).

Opening line — "Lady Madonna, children at your feet…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)

Pattern analysis

Theme prevalence across the canon
fats-domino1piano-boogie1sax-quartet1working-mother1
Track length percentile — Lady Madonna sits at the 31th percentile (median 2:33)
shorter ←→ longer2:17
Recorded 3 Feb 1968 — position on the band's studio chronology
196219631964196519661967196819691970
Estimated takes — Lady Madonna: 32 takes (highest take number documented in Lewisohn (1988))
era median 67 32 The White Album (1968): takes range 6–99
Key prevalence in the canon — Lady Madonna is in A (34 songs share this key)
E39A34G33C28D27F10Am10B8
Recording density per month — 3 Feb 1968 (highlighted) shared the studio with 2 other song(s) that month
196219631964196519661967196819691970
Theme rarity — orange bars are unusually rare tags in the canon (≤3 songs share)
fats-domino1 ★piano-boogie1 ★sax-quartet1 ★working-mother1 ★

Recording

The session work falls within the band's The White Album (1968) period, recorded 3 Feb 1968 at EMI Studios + Trident Studios (Soho). George Martin (with Chris Thomas covering) produced; Ken Scott (early), Geoff Emerick walked off — replaced engineered. For session-by-session detail, see Mark Lewisohn's account on p.132 of The Complete Beatles Recording Sessions (excerpt below). Recorded 3 February 1968 in Studio Three at Abbey Road, the track featured Ringo Starr's crisp drumming and a distinctive honky-tonk piano performance. The session required careful timing to capture McCartney's lead vocal and the accompanying band arrangement with precision, utilizing the Abbey Road recording facilities. (who stated flatly that it was far too late to make the change because the Emerick 2006, p.578) (The Beatles’ Records 221 by McCartney ar Lennon before he would abandon his native Most MacDonald 1994, p.118)

Recording process — typical signal flow for the The White Album (1968)
DemoBackingOverdubsVocalsMix
Studio: EMI Studios + Trident Studios (Soho) • Console: REDD/TG12345 prototype; Sound Techniques 20/8 (Trident) • Tape: Ampex AG-440 8-track (Trident); 3M M23 8-track at EMI from late 1968 (J37 four-track until then)
StudioEMI Studios + Trident Studios (Soho) — first Beatles 8-track sessions: 'Hey Jude' onward
Tape machineAmpex AG-440 8-track (Trident); 3M M23 8-track at EMI from late 1968 (J37 four-track until then)
ConsoleREDD/TG12345 prototype; Sound Techniques 20/8 (Trident)
MicrophonesU47/U48, AKG C12, U67 introduced
Outboard / effectsEMI RS124, EMT 140 & 250 (Trident), Fairchild 660, ADT, tape flanging, fuzz, wah (Vox/CryBaby)
GuitarsEpiphone Casino, Fender Strat (Rocky), Gibson J-200 acoustic, Martin D-28, Fender Telecaster Bass
AmplifiersFender Twin Reverb, Fender Bassman, Vox UL730
ProducerGeorge Martin (with Chris Thomas covering)
Engineer / 2ndKen Scott (early), Geoff Emerick walked off — replaced • John Smith, Mike Sheady, Barry Sheffield (Trident)
Estimated takes32 (highest take number documented in Lewisohn (1988))
Kenkare and Hari Prasad Chaurasia (flute), Vinayak Vohra (taar shehnai) and Rijram Desad (dholak, harmonium and tabla-tarang). Saturday 3 February Studio Three: 2.30-6.00pm. Recording: `Lady Madonna' (takes 1-3). Studio Three: 7.00pm-1.30am. Recording: `Lady Madonna' (SI onto take 3). P: George…— Mark Lewisohn, The Complete Beatles Recording Sessions, p.132

Legacy & release history

In the canonical discography it on the single Lady Madonna. Documented alternate versions include Anthology 2 (1996), Mono Masters (2009 box), White Album 50th Anniversary (2018). Mono and stereo histories vary by era — see the dedicated section below. Lady Madonna stands as one of the White Album's most commercially oriented rockers. Paul McCartney lead vocals appear in 65 canon songs total. The song's driving rhythm and blues-inflected arrangements situated the Beatles within rhythm-and-blues tradition while marking their return to explicitly sexual content after mid-1960s psychedelia.

Mono & stereo

Documented alternate versions

Released on

Cross-references

Other songs sharing themes (fats-domino, piano-boogie, sax-quartet, working-mother)

Other songs led by the same vocalist

Other songs from this era

fats-dominopiano-boogiesax-quartetworking-mother

References & external databases

Notable covers

  • A cover version of the song performed by Aretha Franklin was used as the theme song for the ABC sitcom Grace Under Fire from 1993 until 1996.

Cover-version mentions extracted from the Wikipedia article. For comprehensive cover catalogs see SecondHandSongs.

Frequently asked

Who wrote Lady Madonna?

“Lady Madonna” is credited to Paul McCartney (Lennon–McCartney).

Who sings lead on Lady Madonna?

The lead vocal on “Lady Madonna” is by Paul McCartney.

When was Lady Madonna recorded?

“Lady Madonna” was recorded 3 Feb 1968 at EMI Studios, Abbey Road.

How many takes did Lady Madonna require?

Mark Lewisohn's session log documents up to 32 numbered takes for “Lady Madonna”.

See also