Background
Everybody's Trying to Be My Baby is a song by The Beatles, written by Carl Perkins and led on vocal by George Harrison. Perkins cover; George rockabilly. Closes the LP. Within the catalogue, its cover thread connects it to Anna (Go to Him), Chains, Boys; its carl-perkins thread connects it to Honey Don't, Matchbox; its closer thread connects it to Money (That's What I Want), I'll Be Back, Dizzy Miss Lizzy.
What's distinctive
One of 28 songs led primarily by George. A non-original — one of 23 cover versions in the canon. Recorded approximately 65 of 67 into the Beatlemania (1962–1964) sessions. Carries the rare tag 'carl-perkins' — shared with only 2 other song(s). Take count: 19 (highest take number documented in Lewisohn (1988)).Opening line — "Well, I woke up last night…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)
Recording
The session work falls within the band's Beatlemania (1962–1964) period, recorded 18 Oct 1964 at EMI Studios, Abbey Road. George Martin produced; Norman Smith engineered. The track was committed to Twin-track BTR-2 (1962); Studer J37 four-track from late-1963 via the REDD.37 / REDD.51 valve consoles, with the era's standard signal chain — EMI RS124 compressor (Altec 436B mod), EMT 140 plate reverb, STEED tape echo. Likely instrumental setup followed the era's working kit: Rickenbacker 325 (Lennon), Gretsch Country Gent / Tennessean (Harrison), Höfner 500/1 violin bass (McCartney), Ludwig Oyster Black Pearl kit (Starr), amplified through Vox AC30 (TB & non-Top-Boost variants). For session-by-session detail, see Mark Lewisohn's account on p.50 of The Complete Beatles Recording Sessions (excerpt below).
| Studio | EMI Studios, Abbey Road — predominantly Studio Two |
|---|---|
| Tape machine | Twin-track BTR-2 (1962); Studer J37 four-track from late-1963 |
| Console | REDD.37 / REDD.51 valve consoles |
| Microphones | Neumann U47, U48; AKG D19 (drums); STC 4038 (overheads) |
| Outboard / effects | EMI RS124 compressor (Altec 436B mod), EMT 140 plate reverb, STEED tape echo |
| Guitars | Rickenbacker 325 (Lennon), Gretsch Country Gent / Tennessean (Harrison), Höfner 500/1 violin bass (McCartney), Ludwig Oyster Black Pearl kit (Starr) |
| Amplifiers | Vox AC30 (TB & non-Top-Boost variants) |
| Producer | George Martin |
| Engineer / 2nd | Norman Smith • Richard Langham, Geoff Emerick (2nd) |
| Estimated takes | 19 (highest take number documented in Lewisohn (1988)) |
Pattern analysis
Legacy & release history
In the canonical discography it appears on the LP Beatles for Sale. Mono and stereo histories vary by era — see the dedicated section below.
Mono & stereo
- Mixed primarily in MONO at Abbey Road; the Beatles attended only the mono mixes through Sgt Pepper.
- Stereo mixes from this period were prepared (often without the band present) and are now considered secondary by purists.
Documented alternate versions
No documented alternate versions.
Released on
- Beatles for Sale — LP, 4 December 1964
Cross-references
Other songs sharing themes (cover, carl-perkins, closer, george-vocal)
Other songs led by the same vocalist
Other songs from this era
covercarl-perkinsclosergeorge-vocal