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Overview
"Dizzy, Miss Lizzy" is a rock and roll song written and recorded by Larry Williams in 1958. Although identified as a "genuine rock & roll classic", it had limited success on the record charts. Seven years later, the Beatles recorded the song, and John Lennon performed it with the Plastic Ono Band in 1969. [Wikipedia]
Background
Dizzy Miss Lizzy is a song by The Beatles, written by Larry Williams and led on vocal by John Lennon. Larry Williams cover; album closer, played at Shea Stadium. Within the catalogue, its cover thread connects it to Anna (Go to Him), Chains, Boys; its closer thread connects it to Money (That's What I Want), I'll Be Back, Everybody's Trying to Be My Baby; its larry-williams thread connects it to Slow Down. A cover of the 1959 Larry Williams R&B novelty hit, 'Dizzy Miss Lizzy' was recorded on 10 May 1965 and included on Help! as a nostalgic nod to the band's early Cavern Club and Hamburg rock-and-roll roots. The inclusion marked the Beatles' final cover track on a studio album, signalling the band's shift toward original material (Lewisohn 1988, p. 62). Of the three covers recorded for Help!, 'Dizzy Miss Lizzy' functions as the album's raucous finale. The Larry Williams cover was recorded specifically for the American market, along with 'Bad Boy,' representing the band's continued engagement with American R&B and rock and roll material. (Kozinn 1995, p. 116)
What's distinctive
One of 101 songs led primarily by John. A non-original — one of 23 cover versions in the canon. Recorded approximately 10 of 14 into the Folk-Rock & Maturity (1965) sessions. Carries the unique tag 'shea' — no other song shares it. Take count: 11 (highest take number documented in Lewisohn (1988)).Opening line — "You make me dizzy, Miss Lizzy…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)
Pattern analysis
Recording
The session work falls within the band's Folk-Rock & Maturity (1965) period, recorded 10 May 1965 at EMI Studios, Abbey Road. George Martin produced; Norman Smith engineered. For session-by-session detail, see Mark Lewisohn's account on p.58 of The Complete Beatles Recording Sessions (excerpt below). Seven takes were captured in a single evening session (10 May 1965), split between takes 1–2 and takes 3–7. The energetic rhythm-and-blues arrangement showcased John Lennon's shouting vocal delivery in the R&B tradition, with a bright, punchy arrangement typical of the Help! album's pop-rock palette. The mono mixing was completed on 10 May 1965 itself (Lewisohn 1988, p. 62).
The track was recorded alongside other material during a period when Lennon faced significant personal challenges, isolated in a large mansion while managing the pressures of continuous touring. The recording represents pressured hack-work executed with limited creative investment. (MacDonald 1994, p. 69)
| Studio | EMI Studios, Abbey Road — Studio Two |
|---|---|
| Tape machine | Studer J37 four-track |
| Console | REDD.51 |
| Microphones | Neumann U47, U48; AKG C12 (vocals); Coles 4038 |
| Outboard / effects | EMI RS124 'Altec', EMT 140 plate, ADT begins (Townsend, mid-1966) |
| Guitars | Rickenbacker 360-12 (Harrison), Epiphone Casino (introduced — Lennon, McCartney, Harrison), Framus Hootenanny 12-string (Lennon) |
| Amplifiers | Vox AC30, Vox AC50/AC100 |
| Producer | George Martin |
| Engineer / 2nd | Norman Smith • Ken Scott, Phil McDonald (2nd) |
| Estimated takes | 11 (highest take number documented in Lewisohn (1988)) |
Legacy & release history
In the canonical discography it appears on the LP Help!. Mono and stereo histories vary by era — see the dedicated section below. As the last cover track on any Beatles studio album, 'Dizzy Miss Lizzy' marks a symbolic endpoint in the band's appropriation of American rock and R&B standards. Its inclusion on Help! signals the album's transitional role: part pop-rock novelty, part serious songwriting milestone. The track's spirited energy has earned retrospective appreciation as a genuine period entertainment piece, even as it lacks the songwriting originality that would define Rubber Soul (Lewisohn 1988, p. 62).
Mono & stereo
- Mixed primarily in mono at Abbey Road; the Beatles attended only the mono mixes through Sgt Pepper.
- Stereo mixes from this period were prepared (often without the band present) and are now considered secondary by purists.
Documented alternate versions
No documented alternate versions.
Released on
- Help! — LP, 6 August 1965
Cross-references
Other songs sharing themes (cover, closer, larry-williams, shea)
Other songs led by the same vocalist
Other songs from this era
covercloserlarry-williamsshea
References & external databases
Frequently asked
Who wrote Dizzy Miss Lizzy?
“Dizzy Miss Lizzy” was written by Larry Williams.
Who sings lead on Dizzy Miss Lizzy?
The lead vocal on “Dizzy Miss Lizzy” is by John Lennon.
When was Dizzy Miss Lizzy recorded?
“Dizzy Miss Lizzy” was recorded 10 May 1965 at EMI Studios, Abbey Road.
How many takes did Dizzy Miss Lizzy require?
Mark Lewisohn's session log documents up to 11 numbered takes for “Dizzy Miss Lizzy”.
