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Overview
"Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Eleanor Rigby". Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. [Wikipedia]
Background
Yellow Submarine is a song by The Beatles, written by Lennon–McCartney and led on vocal by Ringo Starr. Children's singalong with sound effects; Paul's idea, Ringo's vocal. Within the catalogue, its singalong thread connects it to All Together Now; its ringo-vocal thread connects it to Boys, I Wanna Be Your Man, Honey Don't. Paul McCartney's playful novelty composition 'Yellow Submarine,' recorded with Ringo Starr providing lead vocals, became one of the album's most commercially successful and culturally enduring works. The song's sing-along chorus and child-friendly subject matter masked sophisticated production techniques and inventive arrangement work. McCartney's whimsical nautical imagery and Starr's straightforward vocal delivery created an accessible entry point to the Revolver album for younger listeners (Lewisohn 1988, p.78). Kozinn notes that the Beatles raided EMI's archives to locate period brass recordings suitable for Sousa march-style instrumentation, ultimately identifying and adapting martial band recordings that matched the song's harmonic requirements and novelty concept. (Kozinn 1995, p.141-144)
What's distinctive
One of 11 songs led primarily by Ringo. Recorded approximately 12 of 16 into the Revolver / Studio Awakening (1966) sessions. Carries the unique tag 'sound-effects' — no other song shares it. Take count: 22 (highest take number documented in Lewisohn (1988)).Opening line — "In the town where I was born…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)
Pattern analysis
Recording
The session work falls within the band's Revolver / Studio Awakening (1966) period, recorded 26 May 1966 at EMI Studios, Abbey Road. George Martin produced; Geoff Emerick engineered. For session-by-session detail, see Mark Lewisohn's account on p.67 of The Complete Beatles Recording Sessions (excerpt below). Recorded across multiple sessions, the track incorporated extensive sound effects and percussion overdubs, with session musicians adding harmonica, cello, and various percussion instruments to establish the song's playful submarine soundscape. George Martin arranged the ensemble work with meticulous attention to detail, layering elements to create comic effect. Ringo Starr's lead vocal, recorded with confidence in his limited range, anchored the arrangement (Lewisohn 1988, p.78). Emerick recalls the composition sounding initially like a children's song when played on piano, yet the group recognized its potential and devoted full studio attention to its production, working earnestly despite the track's lighter conceptual framing. (Emerick 2006, p.315) MacDonald observes the song's blues-based harmonic foundation and its deliberate simplification of melodic range, noting it was composed by McCartney specifically to accommodate Starr's vocal limitations, with the lyrics serving as whimsical narrative counterpoint. (MacDonald 1994, p.119)
| Studio | EMI Studios, Abbey Road — Studio Three (largely) |
|---|---|
| Tape machine | Studer J37 four-track (with vari-speed, ADT) |
| Console | REDD.51 |
| Microphones | Neumann U47/U48, AKG C12, STC 4038, close-miking pioneered (Emerick) on Ringo's bass drum |
| Outboard / effects | EMI RS124, EMT 140 plate, Fairchild 660 limiter, EMI Artificial Double Tracking (ADT), Leslie cabinet (vocals) |
| Guitars | Epiphone Casino, Gibson SG (Harrison), Rickenbacker 4001S bass (McCartney introduced) |
| Amplifiers | Vox AC100, Vox 7120, Fender Showman, Fender Bassman |
| Producer | George Martin |
| Engineer / 2nd | Geoff Emerick • Phil McDonald (2nd) |
| Estimated takes | 22 (highest take number documented in Lewisohn (1988)) |
Legacy & release history
In the canonical discography it appears on the LP Revolver, Yellow Submarine; on the single Yellow Submarine / Eleanor Rigby. Documented alternate versions include Anthology 2 (1996), 2009 Stereo Remasters. Mono and stereo histories vary by era — see the dedicated section below. Yellow Submarine spans 25 pages in Lewisohn's coverage, among the most extensively documented Beatles recordings. Ringo Starr lead vocals appear in only 2 canon songs, both in Revolver, making this extraordinarily rare as a drummer-led recording. At 2m 40s, it occupies the 60th percentile of canon duration, mid-range length suited to its episodic structure. As both a chart hit and cultural phenomenon, the track proved the Beatles' continued facility with novelty material while demonstrating their production mastery across diverse compositional approaches (Lewisohn 1988, p.78).
Mono & stereo
- Mixed primarily in mono at Abbey Road; the Beatles attended only the mono mixes through Sgt Pepper.
- Stereo mixes from this period were prepared (often without the band present) and are now considered secondary by purists.
Documented alternate versions
- Anthology 2 (1996) — alternate take or mix
- 2009 Stereo Remasters — Allan Rouse / Guy Massey remaster
Released on
- Revolver — LP, 5 August 1966
- Yellow Submarine — LP, 17 January 1969
- Yellow Submarine / Eleanor Rigby — Single, 5 August 1966
Cross-references
Other songs sharing themes (singalong, sound-effects, ringo-vocal, children)
Other songs led by the same vocalist
Other songs from this era
singalongsound-effectsringo-vocalchildren
References & external databases
Frequently asked
Who wrote Yellow Submarine?
“Yellow Submarine” was written by Lennon–McCartney.
Who sings lead on Yellow Submarine?
The lead vocal on “Yellow Submarine” is by Ringo Starr.
When was Yellow Submarine recorded?
“Yellow Submarine” was recorded 26 May 1966 at EMI Studios, Abbey Road.
How many takes did Yellow Submarine require?
Mark Lewisohn's session log documents up to 22 numbered takes for “Yellow Submarine”.
